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Romantics, at Tate Britain 29-Aug
Lending works of art to France is a risky business, warns curator 29-Aug
British Museum evacuated in 'gas incident' 29-Aug
Grace Robertson, interview with the 1950s photojournalist 29-Aug
Stanhope Forbes painting saved 29-Aug
The Language of Line at the Royal Academy, review 29-Aug
Martin Creed at the Fruitmarket Gallery, Edinburgh, review 29-Aug
British watercolour sales sets new records 11-Aug
Art Market News 11-Aug
Art market news Portuguese 11-Aug
Scottish art sales: students who passed the test 11-Aug
Impressionist Gardens at the National Galleries of Scotland, review 11-Aug
Grace Robertson, interview with the 1950s photojournalist 11-Aug
Martin Creed at the Fruitmarket Gallery, Edinburgh, review 11-Aug
Sargent and the Sea at the Royal Academy, review 11-Aug
Art from Lehman Brothers European offices for sale 09-Aug
Christie’s Sales Surge by 46% After Demand Recovers From Slump 09-Aug
Hackney Wood - five years of The Residence 09-Aug
Saved by Spanish hospital ship as fisherman suffers heart attack out at sea 09-Aug
Best exhibitions to see in early August 09-Aug
Fit for the Loovre! Samantha's bohemian vision for her Fine Art degree 09-Aug
International artists to interpret `distance' through video art 09-Aug
Kieron Williamson, eight, is an art sensation who has just sold paintings worth £150,000. Here's how the 'Mini Monet' does it 09-Aug
Impressionist Gardens at the National Galleries of Scotland, review 07-Aug
New York art dealer jailed for $120 million investment fraud 07-Aug
Sargent and the Sea at the Royal Academy, review 07-Aug
Exposed: voyeurism, surveillance and the camera at the Tate Modern, review 07-Aug
Exposed: voyeurism, surveillance and the camera at the Tate Modern, review 07-Aug
Victoria and Albert: Art and Love, at The Queen's Gallery, review 07-Aug
The Breadman - Penzance (Letters) 05-Aug
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Audrey Evans

Audrey Evans works in gouache, pastel and watercolour. Her main subject matter is landscape, particularly that of the Penwith peninsula and her work is based on direct observation. She is a keen draughtswoman and keeps a sketchbook with her all the time. Many of her ideas are interpreted in wood engravings. She was born in Sidcup, Kent but her family moved to Margate towards the end of the war.

She attended Thanet Art School and met her husband Bernard at the London University Institute of Education in the mid 1950s.They married in 1957, and moved to Cornwall in 1976. Audrey has been a member of the Newlyn Society of Artists since the 1980s. From 1977 to 2004 Audrey worked with Bernard organising and teaching at the Mounts Bay Arts Centre from their home and studio in Newlyn. Audrey taught watercolour and drawing at art classes for visiting artists during this period, specialising in the landscape and wildlife of West Cornwall . Audrey has travelled widely with Bernard where they have both painted in the USA, Africa, Oman, Italy, France, and Holland.

She plays the double bass and concertina in the Newlyn Reelers and Golowan Band and participates in the local festivals of Mazey Day and Montol along with other band members. Audrey is also a keen supporter of Amnesty International and is involved with charities for homeless people in Penwith. She has exhibited widely throughout her life and in recent years both in solo shows and group exhibitions.

 
Local Landscapes
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Foreign Trips
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Friends and Family
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Other Media-Photos
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